The camera is set at just the right distance on the adjustable bars, which eliminates the fisheye lens look you often see in videos captured with head-mounted cameras.” “The new design makes it easier to adjust the angle of the camera for new sessions and for follow-up sessions. Solomon followed the illustrated manual for step-by-step instructions to set the helmet mounts. The Mark IV HMC also features a newly designed set of click-in-place bar mounts that the cameras sit on. Also, the portability of the Mark IV system is awesome, to have the rechargeable battery on the belt harness, makes it easier to work for extended periods of time while doing the motion capture session with the Xsens suit.” “So, if you have child actors playing the parts of kids in your film or children’s series, there is an option for them to wear one of the helmets for their facial performance capture. “This is such a thoughtful option because I have two kids who voice our Nkoza and Nankya characters,” says Solomon. For example, there are three helmet sizes available, each with additional foam padding for interiors for a snug fit. What Solomon found worked well with the Mark IV system was its flexibility on the wearable side and its lighting. I was able to use the video from the Mark IV system, inside of Faceware Studio as a video input, and with the professional headcam as the face tracking model, and streamed that into Reallusion iClone.” “There are some scenes for our kid actors that needed me to add some extra animation, so I loaded the audio and lipsynched to match my son’s and daughter’s voice. “I used the Mark IV system to record myself performing sessions of a poem, and the story from The Adventures of Nkoza and Nankya,” adds Solomon.
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